Kurbaan:Dissection

One of the most awaited movies of the season,not just because of the lead couple or the banner producing this or the print promotion or the humungous scale of publicity with Saifeena on almost every television channel you switch to but also because it makes an attempt to touch upon the lesser discussed subject of Islam and terrorism.
The story starts off really well without wasting much time on the courtship of Ehsaan (Saif) and Avantika (Kareena) , professors at a college in Delhi.After convincing the girl's father Ehsaan and his girl move to the United States.Avantika was teaching in the US prior to her stint in India and had to return to her college,Ehsaan also follows her in the hope of finding a new job there.After some house hunting they finally move to an Indian suburb.It is there that Avantika discovers to her horror that her husband Ehsaan is part of an Islamic terrorist sleeper cell.She gets the help of a journalist Riyaz(Vivek) whose girlfriend Rihanna(Dia) is killed in a flight accident,by a suicide bombing attack,which was apparently planned by Ehsaan's group.Riyaz,with an aim to investigate this situation himself,infiltrates into this group and tips off the FBI on the day when they were planning to bomb all the major subways.

The Let Downs:
A major let down of the movie would be the amateurish way in which this subject is handled,showing fundamentalist terrorist sleeper cells as nothing more than the real life versions of kids' spy games.Especially the scenes in which Ehsaan invites Riyaz for dinner and there Bhaijaan(Om Puri) throws a spot offer to come and join their team,believing in whatever story Riyaz cooks up,without even bothering to run a background check on him, makes you laugh at how ignorant the director is about the way these people operate.You don't need to be a secret agent to know all these,switch to any news channel and they'd tell you better.Not just this but the whole planning and execution of terrorist attack scenes were ineptly shot.
The love scenes between Avantika and Ehsaan were aesthetically dealt with but the director could not resist treading the clichéd bollywood path wherein one of the characters is seduced to get important leads and information.
Or scenes where the audience is told that the FBI has clear pictures of Ehsaan yet he roams free on the streets on NY and worse yet teaches Islamic influence on the west at a university.
FBI is shown as nothing more than a weak police department who still rely on the age old method of spot and shoot to catch dreaded terrorists; or goes by the information some caller gives them over phone,without identifying himself.The FBI was portrayed as nothing more than how Indian police was shown in old bollywood flicks.The person who played the cop would do good in a b-grade Indian movie.Per se all these scenes made a mockery of the anti terrorist cells world over.
The movie could have also avoided the blood and gore,especially in the scene in which Avantika had to pull out a bullet and stitch Ehsaan's famous bullet wound.

The Highs:
The movie had its moments.Both Kareena, and Saif pulled it off really well.We have seen Saif grow as an actor and he plays the role of a cold Islamic fundamentalist who falls in love with a girl whom he just wants to use as a tool,extremely well.
The classroom discussion between Riyaz and other students over the image that the west has of Islam and the few dialogues between Kulbhushan Karbanda's character and Riyaz over the Iraq issue or even the dialogues between Aapa(Kirron Kher) and Avantika were well written and extremely thought provoking.
Kareena looked her gorgeous self and has orchestrated the role of a woman torn between love and betrayal brilliantly.
Even the steamy scenes between Kareena and Saif, that have been blown out of proportion and demurred by some fringe group, have nothing to cringe about,they have been done pretty beautifully.
But it is the weak characterization,incoherent storyline and poor direction that are the real terrorists in Kurbaan and start to painfully pall the audience towards the end and also make movies like New York seem like Sholay.
Nonetheless it was a decent attempt at projecting the voice of Islam and moderate fundamentalism in a religion and taking a neutral stance.
I would give it a 2/5